The Anomos-Dédale platform is a common tool whose goal is to develop collective projects and to share and exchange resources. This platform was born so as to findbetter complementarities between the two structure's activities. Its aim is to carry out projects Anomos and Dédale have in common but also to promote collaboration with other partners.
Anomos is a group made of researchers and artists who participate in exchanging and emphasising their research and artworks about the use of digital technologies in the artistic field. Its activities are organised along three complementary guidelines: research, training and the development of the audience's awareness. The research works are carried out with the partnership of the Paris 8 University, especially those from Anomos' s Médiadanse Laboratory, and put down in Anomalie Digital_Art, Anomos's journal published every year. The group aims at enlarging the various audiences' awareness via meetings it organises such as Face au present or others. Trainings are developed so as to enable the audience to experience the use of digital devices in an artistic context.
Dédale is a structure dedicated to innovations and experimentations in new artistic forms and new media. It follows the works of several professionals of the arts within the frame of its nursery for artistic projects; it organises trainings via conferences and workshops and is setting up a European resource centre for digital arts. In addition, Dédale produces "Emergences", its International Festival of Digital Arts (which was part of the Digital Villette Biennium in 2002) which puts together cultural members of the Ile de France.
Clarisse Bardiot is now doing a thesis on "Virtual Theatres. The contribution of theatre in the conception of digital objects." under the direction of Béatrice Picon-Vallin, head of the Performing Arts Research Lab at the C.N.R.S.. Clarisse Bardiot is in charge of lectures regarding "image technologies in theatre" at the Amiens University. She has also worked as the assistant of the head of creation and as management coordinator for the Cube, a cultural space dedicated to digital creation in Issy les Moulineaux.
Ludovic Fouquet is an actor, a plastic artist and a stage director. Via his Phd thesis he studied Quebecois Robert Lepage s works, hence questioning the use and influence of new technologies in his stage devices as well as in his creating process (Paris X-CNRS, 2002). He founded the Songes Mecaniques Company with which he set up 5 Modern Nô (Mishima)and is now working on the production of Partage (M. Deutsch) which shall mix random sound devices, digital videos and trapeze techniques. He is also the French correspondent for the Cahiers de théâtre JEU, ETC Montréal journal. Besides, he works with theatre-contemporain.net, Puck, De LArsenic (Lausanne)and teaches in university.
Florence Laly is now working on a her thesis which is entitled From installations to theatre: interactions between digital and performing arts under the direction of Béatrice Picon-Vallin, Head of the Performing Arts Research Lab at the C.N.R.S. Florence Laly organises and co-ordinates the VIA International Festival of theatre and digital arts (which will become BORDERLINE in 2004 under the impulse of Lille 2004, European Capital City of Culture), and has been part of the Manège, National Court of Maubeuge and Trans-frontier Cultural Centre team since 1998.
Since 1995, Franck Bauchard has been publishing articles on a regular basis about theatre and new technologies. He has published articles in the Du Théâtre journal -in which he created a new heading specifically dedicated to these issues- as well as in the éc/arts journal. He also works as editorial counsellor for theatrical issues in the latter, and some of his works have been published in other journals such as Anomalie or Maska. Franck Bauchard currently works as a theatre inspector for the French Ministry of Culture.
Anna Maria Monteverdi Professor, Pisa University
Giacomo Verde Artist, Stage Director
Luisa G. Ghiglianovich PhD Student, Bologna University
Antonio Pizzo Researcher, Turin University
Andrea Balzola Professor, Florence School of Fine Arts
Spain :
Rosa Sanchez Artistic Director of Konic Thtr
Poland :
Izabella Pluta-Kiziak Researcher, Silesia University
Netherlands :
Maaike Bleekeer Researcher, Amsterdam University
Isabelle Jenniches Researcher, Amsterdam
Latvia :
Agnese Luse Coordinator of the New Theatre Institute of Latvia
Partners :
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| Conception : Marc Lemesle and Stephane Cagnot |
| Editorial follow-up : Agathe Ottavi |
| Webdesign/Développement : Julie Gazard |
| Illustration(logo) : William Gregoire |
| Translation : Emmanuelle Guedj |
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| Acknowledgements : |
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| Laure Brière (co-organiser of the project), Marc Le Glatin (Head of the Cultural Management in Europe MA, Paris 8 University), Olivier Giel (Head of Audiovisual Works at La Comédie Française), Olivier Lescurieux (in charge of Ircams Industrial Relations), Anne Roquigny (Gaité Lyrique). |
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